Jumat, 10 April 2015

Reach out to Asia Fender Stratocaster


In 2005, this guitar was sold in an auction in Qatar to raise funds for Reach Out to Asia, a charity formed to help tsunami victims. The instrument is signed by Mick Jagger, Keith Richards, Eric Clapton, Brian May, Jimmy Page, David Gilmour, Jeff Beck, Pete Townsend, Mark Knopfler, Ray Davis, Liam Gallagher, Ronnie Wood, Tony Iommi, Angus and Malcolm Young, Paul McCartney, Sting, Ritchie Blackmore, Def Leppard and Bryan Adams Sold for $2.7 million 

Nightmare tabs

intro 
  guitar 1
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-------/7-7-6-6-5-5-----------------5-7-8---------------]x4  
A[--------------------8-5s\3/5~-4-5-7---------------------]
D[--------------------------------------------------------]

E[--------------------------------------------------------]
B[--------------------------------------------------------]play on the fourth play through of intro
G[-----------------5/7-7-5--5h7h9-s/-14sustain------------]
D[-----(8)---7-6-5----------------------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]

   guitar 2
E[-------------------------------------------------------------]
B[-------------------------------------------------------------]
G[-------------------------------------------------------------]
D[------------------------------------------------------------0]let last note ring
A[------------------------------------------------------------0]
D[00000----000000----000000-0000-0000-0000-0000-0000-0000-00000]
  ............................PM..............................

E[-------------------------------------------------------------]
B[-------------------------------------------------------------]
G[-------------------------------------------------------------]
D[---------0-----------0-----------03-3/5-5-5/5-5-5/6~~~~~~~~~-]
A[---------0-----------0-----------01-1/2-2-2/3-3-3/4~~~~~~~~~-]
D[0000000000--0000000000--0000000000---------------------------]
  ...pm....   ...pm....   ....pm...
  
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[00000000000000000000000000000000000000000000000000000000]

        both guitars

E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--3^4-0-00000--3^4-0-00000--3^4-0-00000--530530530530---]
 (slowly bend up to 4th fret then sturm the open 0 note)
    (repeat this till "flesh is burning in the air")

 guitar 1
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-----------7--6--5--5p0-repeat 4x ----------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


 guitar 2
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-3----3----3---3----3----3---3----3----3----------------]x4
A[-3----3----3---3----3----3---3----3----3----------------]
D[-3-00-3-00-3-0-3-00-3-00-3-0-3-00-3-00-3-0-530530530530-]
(on 4th play through 530 is repeated more just hear the song and youll get it)


 both guitars
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-0~--3~--3~--3~----0~--3~--3~--3~--2-22-2-22-2-2-2------]
A[-0~--5~--3~--1~----0~--5~--3~--1~--0-00-0-00-0-0-0------]
D[-0~------3~--------0~------3~--------pm---pm---pm-------]
(synyster gates does some whammy affects between these to sections)

 
 both guitars

E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--3^4-0-00000--3^4-0-00000--3^4-0-00000--530530530530---]
 (slowly bend up to 4th fret then sturm the open 0 note)
    (repeat this till "flesh is burning in the air")

 guitar 1
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-----------7--6--5--5p0-repeat 4x ----------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


 guitar 2
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-3----3----3---3----3----3---3----3----3----------------]x4
A[-3----3----3---3----3----3---3----3----3----------------]
D[-3-00-3-00-3-0-3-00-3-00-3-0-3-00-3-00-3-0-530530530530-]
(on 4th play through 530 is repeated more just hear the song and youll get it)


 both guitars
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-0~--3~--3~--3~----0~--3~--3~--3~--2-22-2-22-2-2-2------]
A[-0~--5~--3~--1~----0~--5~--3~--1~--0-00-0-00-0-0-0------]
D[-0~------3~--------0~------3~--------pm---pm---pm-------]

 interlude   guitar 1
E[--/17-17-16-16-15-15-13---------------------------------]
B[-----------------------15---------------15--17/18-------]
G[---------------------------------13--16-----------------]
D[--------------------------12--15------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


E[--/17-17-16-16-15-15-13---------------------------------]
B[------------------------15-13-15---------------15--17---]
G[----------------------------------------13--16----------]
D[---------------------------------12--15-----------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


E[--------------------------------------------------------]
B[------------------13/15--15--13--13h15/17---------------]
G[--15~~~-14-13-12~---------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]

 guitar 2
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--0~~~~~~~~---0~~~~~~~---3--3/5-5-5/5-5-5/6-------------]
A[--0~~~~~~~~---0~~~~~~~---1--1/2-2-2/3-3-3/4-------------]
D[--0~~~~~~~~---0~~~~~~~----------------------------------]

 solo guitar 1 couldnt get the begining sweeps sorry
E[-17--/16--/15-15^16v15--13--17p13\------17p13\----------]
B[----/----/------------------------\15\---------\15\-----]
G[---/----/-----------------------------14-----------14---]
D[--/----/------------------------------------------------]
A[--------------------------------------------------------]

E[---------------------13--17-18-17---15~^17v15----13--12-13-15-15^17-]
B[------------------15--------------------------15--------------------]
G[-------14-15-14-----------------------------------------------------]
D[12--15--------------------------------------------------------------]
A[--------------------------------------------------------------------]
D[--------------------------------------------------------------------]

 This is the fast picking part, to save space i just put the frets you strum, and slide up to.
 (listen to the song for the slide ups they can be a little confusing)
E[--------------------------------------------------------]
B[-15picking/19-13---/17-12----/15-10---12-13-12-10-8-10--]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]
         |
       (this part here v is fast picking as well)
E[-----------------------------------------12-13-15///24\\\15-15-14-12---------------------]
B[---------------------------------12-13-15---------------------------15-14-12-14-12--15-14]
G[-------------------------12-14-15-------------------------------------------------14-----]
D[----------------12-14-15-----------------------------------------------------------------]
A[--------12-14-15-------------------------------------------------------------------------]
D[12-14-15---------------------------------------------------------------------------------]


E[------------------------17-------------------------------------18-17---------------------]
B[15---141414151515161616-----1515141514151413---17171818191920----------------------------]
G[-----------------------------------------------------------------------------------------]
D[----------------------------------------------------------------------7-6h7p6\\5---------]
A[--------------------------------------------------------------------------------8p5\3/5~~]
D[-----------------------------------------------------------------------------------------]

 solo guitar 2 (rythem)
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-0-----------------3---3-5-5-6--------------------------]
A[-0----30-0----30---3---1-2-3-4--------------------------]
D[-0--0030-0--0030-003---^^^^^^^^-------------------------]
   (play 3 times......)  ||||||||
  (then this after third time)

 Both guitars
E[------------]
B[------------]
G[------------]
D[-0----------]x13
A[-0---0---0--]
D[-0-000-0000-]

 guitar 1 solo 2 (this is probably wrong but i tried)
E[------------------------------------------15-14-12-12/18-18-18-17---------------------]
B[--------------------------15-14-12-1214-15--------------------------------------------]
G[---------15-14-12-12-14-15------------------------------------------------------------]
D[-12-14-15---------------------------------------------------------7-6h7p6\\5----------]
A[----------------------------------------------------------------------------8p5\3/5~~~]
D[--------------------------------------------------------------------------------------]

 guitar 2 solo 2 (rythem)
E[------------------------------------------------------------]
B[------------------------------------------------------------]
G[------------------------------------------------------------]
D[-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--------]
A[-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1--------]
D[-----------------------------------------------------3^4-0--]

 Both guitars
E[------------]
B[------------]
G[------------]
D[-0----------]x13
A[-0---0---0--]
D[-0-000-0000-]

 both guitars
E[------------------------------------------------------------]
B[------------------------------------------------------------]
G[------------------------------------------------------------]
D[-3-3-3-3-5-5-5-5-3-3-3-3-5-5-5-5-3-3-3-3-1-1-1-1-3--5--5--6-]
A[-1-1-1-1-3-3-3-3-1-1-1-1-3-3-3-3-1-1-1-1-3-3-3-3-1--2--3--4-]
D[------------------------------------------------------------]

E[------------------------------------------------------------]
B[------------------------------------------------------------]
G[------------------------------------------------------------]
D[------------------------------------------------------------]
A[------------------------------------------------------------]
D[000000000000000000000000000000000000000000000000000000000000]
  ...............................pm...........................

 outro both guitars
E[---------------------------------------------------------------------]
B[---------------------------------------------------------------------]
G[---------------------------------------------------------------------]
D[-0~--3~--3~--3~----0~--3~--3~--3~-x4 then this(2-22-2-22-2-2-2)------]
A[-0~--5~--3~--1~----0~--5~--3~--1~-x4 then this(0-00-0-00-0-0-0)------]
D[-0~------3~--------0~------3~-------------------pm---pm---pm---------]

Kamis, 09 April 2015


 Taylor PS14ce-FLTD
http://www.taylorguitars.com/sites/default/files/guitars/acoustic/models/Media%20browser/PS14ce-FLTD-front-taylor-large.jpg
Macassar ebony and sinker redwood together are both visually and tonally special. Add the stunning aesthetic details of Taylor’s Presentation Series and the guitar becomes a playable piece of art. Tonally, sinker has a level of warmth and brilliance that has spawned the characterization “cedar on steroids,” and Macassar’s slightly darker tone is a great match. Together the warmth and complexity yield a more mature sound, the opposite of bright and punchy. If you play a variety of styles and have a light to medium touch, the Grand Auditorium version is a great choice. If you crave a bigger, bolder sound, the Grand Symphony is a good fit.
ShapeGrand Auditorium
Price$7,998
Number of Strings6
Back/Side WoodMacassar Ebony
Scale length25-1/2"
Top WoodSinker Redwood
Body Length20"
ElectronicsExpression System®
Body Width16"
CutawayVenetian
Body Depth4 5/8"
Nut & SaddleBone
Neck Width1-3/4"
Neck/HeelTropical Mahogany
BracingCV Bracing with Relief Rout
Fretboard WoodEbony
Fretboard InlayNouveau
Headstock OverlayEbony
BindingEbony
Bridge InlayNouveau
Bridge PinsEbony with Abalone Dots
TunersGotoh
Truss Rod CoverEbony
Back/Side FinishGloss
Top FinishGloss
Neck FinishSatin
PickguardNone
CaseTaylor Deluxe Hardshell Brown
Number of Frets20
Armrest BindingEbony
Back Config2-piece No Wedge
Backstrap WoodSame as Body
Backstrap FinishGloss
Brand of StringsElixir Light
ButtonsGold
Edge TrimPaua
Fingerboard ExtPaua
Fretboard BindingEbony
Heel Cap BindingEbony
Heel length3-1/2"
Peghead FinishGloss
Peghead InlayNouveau
Peghead BindingEbony
Peghead LogoTaylor Mother of Pearl
Peghead TypeStandard
Rosette Mat.Paua
Rosette SizeSingle Ring
Stain/SunburstNone
Type of Neck JointScarf
WedgeNone
Martin D-100 Deluxe
To celebrate the unprecedented industry milestone of their 1,000,000th guitar, C.F. Martin & Co. has created a spectacular commemorative edition instrument. The D-100 Deluxe combines rare tonewoods and elaborate inlays in a breathtaking example of the guitar builder’s art. Quite simply, this masterpiece guitar is one of the most beautiful models that Martin has ever offered.Martin_D100_Deluxe_2.jpg
  • Model: D-100 Deluxe
  • Construction: Mahogany Blocks/Dovetail Neck Joint
  • Body Size: D-14 Fret
  • Top: Solid Adirondack Spruce
  • Rosette: Herringbone Pearl
  • Top Bracing Pattern: Standard ”X” Scalloped, Forward Shifted
  • Top Braces: Solid Adirondack Spruce 5/16”
  • Back Material: Solid Brazilian Rosewood – Custom Pearl Inlay
  • Back Purfling: none
  • Side Material: Solid Brazilian Rosewood
  • Endpiece: Style 45
  • Endpiece Inlay: Select Pearl with Black/White Fiber
  • Binding: Grained Ivoroid
  • Top Inlay Style: Style 50 with Black/White/Black Fiber
  • Side Inlay: Abalone Pearl with Black/White/Black Fiber
  • Back Inlay: Abalone Pearl with Black/White/Black Fiber
  • Neck Material: Genuine Mahogany
  • Neck Shape: Modified V
  • Nut Material: Fossilized Ivory
  • Headstock: Solid/Diamond/Square Taper/Pearl Border
  • Headplate: Solid Brazilian Rosewood /Custom Inlay
  • Heelcap: Grained Ivoroid
  • Fingerboard Material: Solid Black Ebony
  • Scale Length: 25.4”
  • Number Of Frets Clear: 14
  • Number Of Frets Total: 20
  • Fingerboard Width At Nut: 1-3/4”
  • Fingerboard Width At 12th Fret: 2-1/4”
  • Fingerboard Position Inlays: none
  • Fingerboard Binding: Grained Ivoroid
  • Finish Back & Sides: Polished Gloss
  • Finish Top: Polished Gloss w/ Aging Toner
  • Finish Neck: Polished Gloss
  • Bridge Material: Solid Black Ebony
  • Bridge Style: Belly
  • Bridge String Spacing: 2-1/4”
  • Saddle: 16” Radius/Compensated/Fossilized Ivory
  • Tuning Machines: Waverly Gold Hand Engraved w/ Butterbean Knobs
  • Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200)
  • Bridge & End Pins: Fossilized Ivory/Green Tourmaline Dots Bordered in 14-Karat Gold Settings
  • Pickguard: Beveled Black Micarta w/ Tree of Life & Mother of Pearl Border Inlay – Under Finish
  • Case: 545DLBLACK Geib style w/ Black Leather Exterior & Black Velvet Interior
  • Interior Label: Signed by CFM IV, Numbered In Sequence with Total (50)286_1313-martin-1.jpg

Taylor Grand Auditorium (GA)

Taylor’s signature shape embodies the ultimate all-purpose acoustic.

Taylor most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Rabu, 08 April 2015



Fender Percision Bass
Classic Body Style
Balanced and comfortably contoured, the Precision Bass was Fender's first two-horned instrument. Its familiar form has remained largely unchanged for more than half a century.
Neck and Fingerboard
There's nothing like the big, sturdy neck of a Precision Bass and its smoothly playable fingerboard, in maple or rosewood.
Split Single-Coil Pickup
One split-single-coil pickup placed in just the right spot is the heart of the formidable Precision Bass tone. Other pickup types and configurations impart even more tonal power and character.
Fender Jazzmaster
 
Offset Waist
Distinctive offset-waist body shape isn't just curvaceously cool looking - it's also remarkably balanced and naturally comfortable.
Dual Tone Circuits
The Jazzmaster was also Fender's first instrument to feature dual tone circuits. Separate "lead" and "rhythm" circuits, each with their own controls, allow remarkable tonal versatility.
Distinctive Pickups
Traditional wide, flat Jazzmaster pickups produce broad tone, less bite and more subtle attack than most single-coil pickups. Other pickups choices offer even greater tonal character.
"Floating" Tremolo Bridge
Fender's own distinctive "floating" tremolo bridge/tailpiece design first appeared on the Jazzmaster. Modern bridge options on some models allow even further tonal and performance distinction.