Reach out to Asia Fender Stratocaster

In 2005, this guitar was sold in an auction in Qatar to raise funds for Reach Out to Asia, a charity formed to help tsunami victims. The instrument is signed by Mick Jagger, Keith Richards, Eric Clapton, Brian May, Jimmy Page, David Gilmour, Jeff Beck, Pete Townsend, Mark Knopfler, Ray Davis, Liam Gallagher, Ronnie Wood, Tony Iommi, Angus and Malcolm Young, Paul McCartney, Sting, Ritchie Blackmore, Def Leppard and Bryan Adams Sold for $2.7 million 

Nightmare tabs

intro 
  guitar 1
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-------/7-7-6-6-5-5-----------------5-7-8---------------]x4  
A[--------------------8-5s\3/5~-4-5-7---------------------]
D[--------------------------------------------------------]

E[--------------------------------------------------------]
B[--------------------------------------------------------]play on the fourth play through of intro
G[-----------------5/7-7-5--5h7h9-s/-14sustain------------]
D[-----(8)---7-6-5----------------------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]

   guitar 2
E[-------------------------------------------------------------]
B[-------------------------------------------------------------]
G[-------------------------------------------------------------]
D[------------------------------------------------------------0]let last note ring
A[------------------------------------------------------------0]
D[00000----000000----000000-0000-0000-0000-0000-0000-0000-00000]
  ............................PM..............................

E[-------------------------------------------------------------]
B[-------------------------------------------------------------]
G[-------------------------------------------------------------]
D[---------0-----------0-----------03-3/5-5-5/5-5-5/6~~~~~~~~~-]
A[---------0-----------0-----------01-1/2-2-2/3-3-3/4~~~~~~~~~-]
D[0000000000--0000000000--0000000000---------------------------]
  ...pm....   ...pm....   ....pm...
  
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[00000000000000000000000000000000000000000000000000000000]

        both guitars

E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--3^4-0-00000--3^4-0-00000--3^4-0-00000--530530530530---]
 (slowly bend up to 4th fret then sturm the open 0 note)
    (repeat this till "flesh is burning in the air")

 guitar 1
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-----------7--6--5--5p0-repeat 4x ----------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


 guitar 2
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-3----3----3---3----3----3---3----3----3----------------]x4
A[-3----3----3---3----3----3---3----3----3----------------]
D[-3-00-3-00-3-0-3-00-3-00-3-0-3-00-3-00-3-0-530530530530-]
(on 4th play through 530 is repeated more just hear the song and youll get it)


 both guitars
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-0~--3~--3~--3~----0~--3~--3~--3~--2-22-2-22-2-2-2------]
A[-0~--5~--3~--1~----0~--5~--3~--1~--0-00-0-00-0-0-0------]
D[-0~------3~--------0~------3~--------pm---pm---pm-------]
(synyster gates does some whammy affects between these to sections)

 
 both guitars

E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--3^4-0-00000--3^4-0-00000--3^4-0-00000--530530530530---]
 (slowly bend up to 4th fret then sturm the open 0 note)
    (repeat this till "flesh is burning in the air")

 guitar 1
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-----------7--6--5--5p0-repeat 4x ----------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


 guitar 2
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-3----3----3---3----3----3---3----3----3----------------]x4
A[-3----3----3---3----3----3---3----3----3----------------]
D[-3-00-3-00-3-0-3-00-3-00-3-0-3-00-3-00-3-0-530530530530-]
(on 4th play through 530 is repeated more just hear the song and youll get it)


 both guitars
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-0~--3~--3~--3~----0~--3~--3~--3~--2-22-2-22-2-2-2------]
A[-0~--5~--3~--1~----0~--5~--3~--1~--0-00-0-00-0-0-0------]
D[-0~------3~--------0~------3~--------pm---pm---pm-------]

 interlude   guitar 1
E[--/17-17-16-16-15-15-13---------------------------------]
B[-----------------------15---------------15--17/18-------]
G[---------------------------------13--16-----------------]
D[--------------------------12--15------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


E[--/17-17-16-16-15-15-13---------------------------------]
B[------------------------15-13-15---------------15--17---]
G[----------------------------------------13--16----------]
D[---------------------------------12--15-----------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]


E[--------------------------------------------------------]
B[------------------13/15--15--13--13h15/17---------------]
G[--15~~~-14-13-12~---------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]

 guitar 2
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[--0~~~~~~~~---0~~~~~~~---3--3/5-5-5/5-5-5/6-------------]
A[--0~~~~~~~~---0~~~~~~~---1--1/2-2-2/3-3-3/4-------------]
D[--0~~~~~~~~---0~~~~~~~----------------------------------]

 solo guitar 1 couldnt get the begining sweeps sorry
E[-17--/16--/15-15^16v15--13--17p13\------17p13\----------]
B[----/----/------------------------\15\---------\15\-----]
G[---/----/-----------------------------14-----------14---]
D[--/----/------------------------------------------------]
A[--------------------------------------------------------]

E[---------------------13--17-18-17---15~^17v15----13--12-13-15-15^17-]
B[------------------15--------------------------15--------------------]
G[-------14-15-14-----------------------------------------------------]
D[12--15--------------------------------------------------------------]
A[--------------------------------------------------------------------]
D[--------------------------------------------------------------------]

 This is the fast picking part, to save space i just put the frets you strum, and slide up to.
 (listen to the song for the slide ups they can be a little confusing)
E[--------------------------------------------------------]
B[-15picking/19-13---/17-12----/15-10---12-13-12-10-8-10--]
G[--------------------------------------------------------]
D[--------------------------------------------------------]
A[--------------------------------------------------------]
D[--------------------------------------------------------]
         |
       (this part here v is fast picking as well)
E[-----------------------------------------12-13-15///24\\\15-15-14-12---------------------]
B[---------------------------------12-13-15---------------------------15-14-12-14-12--15-14]
G[-------------------------12-14-15-------------------------------------------------14-----]
D[----------------12-14-15-----------------------------------------------------------------]
A[--------12-14-15-------------------------------------------------------------------------]
D[12-14-15---------------------------------------------------------------------------------]


E[------------------------17-------------------------------------18-17---------------------]
B[15---141414151515161616-----1515141514151413---17171818191920----------------------------]
G[-----------------------------------------------------------------------------------------]
D[----------------------------------------------------------------------7-6h7p6\\5---------]
A[--------------------------------------------------------------------------------8p5\3/5~~]
D[-----------------------------------------------------------------------------------------]

 solo guitar 2 (rythem)
E[--------------------------------------------------------]
B[--------------------------------------------------------]
G[--------------------------------------------------------]
D[-0-----------------3---3-5-5-6--------------------------]
A[-0----30-0----30---3---1-2-3-4--------------------------]
D[-0--0030-0--0030-003---^^^^^^^^-------------------------]
   (play 3 times......)  ||||||||
  (then this after third time)

 Both guitars
E[------------]
B[------------]
G[------------]
D[-0----------]x13
A[-0---0---0--]
D[-0-000-0000-]

 guitar 1 solo 2 (this is probably wrong but i tried)
E[------------------------------------------15-14-12-12/18-18-18-17---------------------]
B[--------------------------15-14-12-1214-15--------------------------------------------]
G[---------15-14-12-12-14-15------------------------------------------------------------]
D[-12-14-15---------------------------------------------------------7-6h7p6\\5----------]
A[----------------------------------------------------------------------------8p5\3/5~~~]
D[--------------------------------------------------------------------------------------]

 guitar 2 solo 2 (rythem)
E[------------------------------------------------------------]
B[------------------------------------------------------------]
G[------------------------------------------------------------]
D[-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--------]
A[-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1--------]
D[-----------------------------------------------------3^4-0--]

 Both guitars
E[------------]
B[------------]
G[------------]
D[-0----------]x13
A[-0---0---0--]
D[-0-000-0000-]

 both guitars
E[------------------------------------------------------------]
B[------------------------------------------------------------]
G[------------------------------------------------------------]
D[-3-3-3-3-5-5-5-5-3-3-3-3-5-5-5-5-3-3-3-3-1-1-1-1-3--5--5--6-]
A[-1-1-1-1-3-3-3-3-1-1-1-1-3-3-3-3-1-1-1-1-3-3-3-3-1--2--3--4-]
D[------------------------------------------------------------]

E[------------------------------------------------------------]
B[------------------------------------------------------------]
G[------------------------------------------------------------]
D[------------------------------------------------------------]
A[------------------------------------------------------------]
D[000000000000000000000000000000000000000000000000000000000000]
  ...............................pm...........................

 outro both guitars
E[---------------------------------------------------------------------]
B[---------------------------------------------------------------------]
G[---------------------------------------------------------------------]
D[-0~--3~--3~--3~----0~--3~--3~--3~-x4 then this(2-22-2-22-2-2-2)------]
A[-0~--5~--3~--1~----0~--5~--3~--1~-x4 then this(0-00-0-00-0-0-0)------]
D[-0~------3~--------0~------3~-------------------pm---pm---pm---------]

 Taylor PS14ce-FLTD

Macassar ebony and sinker redwood together are both visually and tonally special. Add the stunning aesthetic details of Taylor’s Presentation Series and the guitar becomes a playable piece of art. Tonally, sinker has a level of warmth and brilliance that has spawned the characterization “cedar on steroids,” and Macassar’s slightly darker tone is a great match. Together the warmth and complexity yield a more mature sound, the opposite of bright and punchy. If you play a variety of styles and have a light to medium touch, the Grand Auditorium version is a great choice. If you crave a bigger, bolder sound, the Grand Symphony is a good fit.

ShapeGrand Auditorium

Price$7,998

Number of Strings6

Back/Side WoodMacassar Ebony

Scale length25-1/2"

Top WoodSinker Redwood

Body Length20"

ElectronicsExpression System®

Body Width16"

CutawayVenetian

Body Depth4 5/8"

Nut & SaddleBone

Neck Width1-3/4"

Neck/HeelTropical Mahogany

BracingCV Bracing with Relief Rout

Fretboard WoodEbony

Fretboard InlayNouveau

Headstock OverlayEbony

BindingEbony

Bridge InlayNouveau

Bridge PinsEbony with Abalone Dots

TunersGotoh

Truss Rod CoverEbony

Back/Side FinishGloss

Top FinishGloss

Neck FinishSatin

PickguardNone

CaseTaylor Deluxe Hardshell Brown

Number of Frets20

Armrest BindingEbony

Back Config2-piece No Wedge

Backstrap WoodSame as Body

Backstrap FinishGloss

Brand of StringsElixir Light

ButtonsGold

Edge TrimPaua

Fingerboard ExtPaua

Fretboard BindingEbony

Heel Cap BindingEbony

Heel length3-1/2"

Peghead FinishGloss

Peghead InlayNouveau

Peghead BindingEbony

Peghead LogoTaylor Mother of Pearl

Peghead TypeStandard

Rosette Mat.Paua

Rosette SizeSingle Ring

Stain/SunburstNone

Type of Neck JointScarf

WedgeNone

Martin D-100 Deluxe

To celebrate the unprecedented industry milestone of their 1,000,000th guitar, C.F. Martin & Co. has created a spectacular commemorative edition instrument. The D-100 Deluxe combines rare tonewoods and elaborate inlays in a breathtaking example of the guitar builder’s art. Quite simply, this masterpiece guitar is one of the most beautiful models that Martin has ever offered.

• Model: D-100 Deluxe
• Construction: Mahogany Blocks/Dovetail Neck Joint
• Body Size: D-14 Fret
• Top: Solid Adirondack Spruce
• Rosette: Herringbone Pearl
• Top Bracing Pattern: Standard ”X” Scalloped, Forward Shifted
• Top Braces: Solid Adirondack Spruce 5/16”
• Back Material: Solid Brazilian Rosewood – Custom Pearl Inlay
• Back Purfling: none
• Side Material: Solid Brazilian Rosewood
• Endpiece: Style 45
• Endpiece Inlay: Select Pearl with Black/White Fiber
• Binding: Grained Ivoroid
• Top Inlay Style: Style 50 with Black/White/Black Fiber
• Side Inlay: Abalone Pearl with Black/White/Black Fiber
• Back Inlay: Abalone Pearl with Black/White/Black Fiber
• Neck Material: Genuine Mahogany
• Neck Shape: Modified V
• Nut Material: Fossilized Ivory
• Headstock: Solid/Diamond/Square Taper/Pearl Border
• Headplate: Solid Brazilian Rosewood /Custom Inlay
• Heelcap: Grained Ivoroid
• Fingerboard Material: Solid Black Ebony
• Scale Length: 25.4”
• Number Of Frets Clear: 14
• Number Of Frets Total: 20
• Fingerboard Width At Nut: 1-3/4”
• Fingerboard Width At 12th Fret: 2-1/4”
• Fingerboard Position Inlays: none
• Fingerboard Binding: Grained Ivoroid
• Finish Back & Sides: Polished Gloss
• Finish Top: Polished Gloss w/ Aging Toner
• Finish Neck: Polished Gloss
• Bridge Material: Solid Black Ebony
• Bridge Style: Belly
• Bridge String Spacing: 2-1/4”
• Saddle: 16” Radius/Compensated/Fossilized Ivory
• Tuning Machines: Waverly Gold Hand Engraved w/ Butterbean Knobs
• Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200)
• Bridge & End Pins: Fossilized Ivory/Green Tourmaline Dots Bordered in 14-Karat Gold Settings
• Pickguard: Beveled Black Micarta w/ Tree of Life & Mother of Pearl Border Inlay – Under Finish
• Case: 545DLBLACK Geib style w/ Black Leather Exterior & Black Velvet Interior
• Interior Label: Signed by CFM IV, Numbered In Sequence with Total (50)

Taylor Grand Auditorium (GA)

Taylor’s signature shape embodies the ultimate all-purpose acoustic.

Taylor most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Fender Percision Bass

Classic Body Style

Balanced and comfortably contoured, the Precision Bass was Fender's first two-horned instrument. Its familiar form has remained largely unchanged for more than half a century.

Neck and Fingerboard

There's nothing like the big, sturdy neck of a Precision Bass and its smoothly playable fingerboard, in maple or rosewood.

Split Single-Coil Pickup

One split-single-coil pickup placed in just the right spot is the heart of the formidable Precision Bass tone. Other pickup types and configurations impart even more tonal power and character.

Fender Jazzmaster
 

Offset Waist

Distinctive offset-waist body shape isn't just curvaceously cool looking - it's also remarkably balanced and naturally comfortable.

Dual Tone Circuits

The Jazzmaster was also Fender's first instrument to feature dual tone circuits. Separate "lead" and "rhythm" circuits, each with their own controls, allow remarkable tonal versatility.

Distinctive Pickups

Traditional wide, flat Jazzmaster pickups produce broad tone, less bite and more subtle attack than most single-coil pickups. Other pickups choices offer even greater tonal character.

"Floating" Tremolo Bridge

Fender's own distinctive "floating" tremolo bridge/tailpiece design first appeared on the Jazzmaster. Modern bridge options on some models allow even further tonal and performance distinction.

Fender Jaguar

Offset Waist

The Jaguar features a sleek and comfortable offset-waist body.

Dual Tone Circuits

Like the Jazzmaster, the Jaguar features separate "lead" and "rhythm" tone circuits, but with even more controls for even more tonal versatility.

Short Scale, More Frets

Shorter scale length (24") is great for smaller players and more diminutive hands, with an extra (22nd) fret, too.

"Floating" Tremolo Bridge

Most Jaguar models feature Fender's distinctive "floating" tremolo bridge/tailpiece design; other models have modern bridge options offering further tonal and performance distinction

Fender Telecaster

Fender Telecaster

Single-Cutaway Body

The Telecaster's distinctive single-cutaway body has been an unchanging hallmark of its design ever since it was introduced in 1951.

Pickups

Classic Telecaster tone is a long-revered product of its dual single-coil pickups—especially the bright, snappy tone of the bridge pickup. Other pickup options lend even more versatility.

Neck and Fingerboard

Telecaster guitars are known for comfortable and easily adjusted necks with a variety of profiles, eminently playable fingerboards and an unmistakable headstock.

Fender stratocaster

Fender Stratocaster

Sleek Body Shape and Contours

Stratocaster guitars have a sleek and balanced two-horn design, with well-placed forearm and body contours that make for a comfortable playing experience.

Pickups

Three expressive single-coil pickups; often modified with various combinations of humbucking pickups and switching configurations. From sparkling to soaring to screaming and beyond, the versatile voice of the Stratocaster remains unequaled.

Tremolo Bridge

Now as always, Stratocaster guitars are revered for the innovative design, tonal stability and solid reliability of their tremolo bridges.

Neck and Fingerboard

Stratocaster guitars are known for comfortable and easily adjusted necks with a variety of profiles, eminently playable fingerboards and an unmistakable headstock.